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Jason Spaceman/Iain Forsyth/Jane Pollard - Silent Sound
Consider it an investment, if nothing else
It’s been said before, but we’ll say it again: Spacemen 3’s The Perfect Prescription, from 1987, is one of the greatest albums ever produced in the UK. Following that, however, Sonic Boom and Jason Pierce started to argue, recorded album�sides separately (1990’s Recurring) and then split up. The market followed Pierce’s rather obvious gospel euphoria in Spiritualized (done brilliantly on ’97’s Ladies & Gentlemen We Are Floating In Space, then repeated to nullification) over the far superior avant-ambience of Boom’s Spectrum. And now…
Pierce has turned prog. Calling himself Jason Spaceman, he’s teamed up with a duo interested in Victorian spiritualism and written a piece of classical music for strings, horns, grand piano, vibes and that most prog of instruments, tubular bells. It’s basically a live document of a Liverpool performance, with Forsyth and Pollard sitting in a soundproofed box reciting a single phrase pitched above the threshold of human hearing. The music apparently carries a subliminal message, and is the quality of Eno/Obscure label circa 1975 (extremely dated and lacking in any newness). It’s pretentious prog reminiscent of Camel on the OGWT, and is even funded by the Arts Council. Being a limited edition of 1000 gives it rarity value at least.
Silent Sound | 21
Reviewed by Mark Prendergast
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