Rare Record Price Guide
- The world's leading authority on prices of rare and collectable records pressed in the UK.
- More Information
R.C. Partners
- Plastic Dreams
- Astral Vinyl
- Rubber Soul
- Fantastic Voyage
- Those Old Records
- Sugarbush Records
- Fine Vinyl
- RARE AND SIGNED
- Kool Kat Jazz Records
- CJ's Music Merchandise
- Rock Music Memorabilia
- Revival Records
- Love Vinyl
- NYLVI.com
- THE SOUND MACHINE
- 991.com
- Beatles Links
- Wienerworld
- VIP Record Fairs
- Austin Record Convention
- Mega Record & CD Fair
- Record Collector's Guild
- RARO
- Arrowfile
- Ace Records
- Clear Spot
- Rockground
- Heritage Auctions - Free Catalog
- Popsike.com
- System Records
- Industrial Silence
- BBC 6 Music
- GEMM
- LP CD Reissues.com
- Blue Storm Music
- GrooveCollector.com
Basil Kirchin - Particles
Parting shot from multitalented cult British composer
This CD contains the prescient Basil Kirchin’s very final work. At 77 years of age, half blind and at death’s door, he was still furiously inventive and invigorated by the great fascination in his rare old scores and suites that recent reissues had aroused. This last album is largely composed of sonic abstracts, including the remarkable Concept Suite, a fiveminute conversation between several people transplanted into music, with horns mimicking the sounds of human voices. Bizarre, yet oddly engaging.
The only two tracks with any tangible jazz structure open and close the album and the final, uplifting piece, E + Me (named for Basil’s wife and himself) is poignant indeed: Basil died the week after recording was complete, followed by Esther just after the CDs were pressed. Though perhaps not the most accessible starting point for an appreciation of Kirchin’s gifts (the dazzling Abstractions Of The Industrial North, also on Trunk, is the one to grab you) it is an arresting and meaningful swansong from one of our most undervalued musical inventors.
Trunk | JBH 021 CD
Reviewed by Daddy Bones
<< Back to Issue 336
You might also like:
- ALBUM REVIEW: Primitive London by Basil Kirchin
