Rare Record Price Guide
- The world's leading authority on prices of rare and collectable records pressed in the UK.
- More Information
R.C. Partners
- Plastic Dreams
- Astral Vinyl
- Rubber Soul
- Fantastic Voyage
- Those Old Records
- Sugarbush Records
- Fine Vinyl
- RARE AND SIGNED
- Kool Kat Jazz Records
- CJ's Music Merchandise
- Rock Music Memorabilia
- Revival Records
- Love Vinyl
- NYLVI.com
- THE SOUND MACHINE
- 991.com
- Beatles Links
- Wienerworld
- VIP Record Fairs
- Austin Record Convention
- Mega Record & CD Fair
- Record Collector's Guild
- RARO
- Arrowfile
- Ace Records
- Clear Spot
- Rockground
- Heritage Auctions - Free Catalog
- Popsike.com
- System Records
- Industrial Silence
- BBC 6 Music
- GEMM
- LP CD Reissues.com
- Blue Storm Music
- GrooveCollector.com
Ariel Kalma - Le Temps Des Moissons
Dual sax-uality
Recorded in 1975 and originally released in a run of 1,000 LPs – which now sell for silly money – this is the first official reissue for this surprising album. In the early 70s Kalma travelled to India to learn modal music and singing. Upon his return he recorded this album using his primary instrument, the saxophone. Le Temps Des Moissons opens with its title track, which is the best on offer here: over 16 minutes of tone scales with a strong Eastern feel. Here the saxophone still sounds as it’s meant to, but never bores, while the music is enlightened by drone-like elements and the extensive use of a wah wah.
The remaining tracks pale a bit in comparison. Here ethnic instruments and percussion accompany the sax, while the music is treated with electronic filters. The brief Fast Road To Nowhere is quite beautiful with its mouth harp and flutes but, by the time we reach the closing track Reternelle, which features multitracked/ multi-looped saxophone, the formula has worn a bit thin. Even Kalma himself advises to adjust the EQ for the frequencies if it all becomes a bit too much. Probably best to try and download the first track somewhere then.
Beta-lactam Ring | MT 189
Reviewed by Freek Kinkelaar
<< Back to Issue 355
