in the current issue
- 200 RAREST ALBUMS EVER
As the new Rare Record Price Guide hits the shelves, we give you a run down of the most expensive albums out there. - DR. JOHN
Cures what ails you – the good doctor on New Orleans, heroin and Phil Spector’s guns - NORTHERN SOUL
With the DJs who help to keep the flame alive, RC celebrates soul collectors’ longest-running obsession
Rare Record Price Guide
- The world's leading authority on prices of rare and collectable records pressed in the UK.
- More Information
- Add this to your basket:
Softback | Hardback
R.C. Partners
- ConcertLive
- THE SOUND MACHINE
- RHINO MUSIC
- 991.com
- Beatles Links
- Wienerworld
- VIP Record Fairs
- Austin Record Convention
- Mega Record & CD Fair
- Record Collector's Guild
- RARO
- Arrowfile
- Ace Records
- Clear Spot
- Rockground
- Heritage Auction Galleries
- Popsike.com
- Astral Piper
- System Records
- Industrial Silence
- Genesis Publications Ltd.
- Vinyl Switch
- BBC 6 Music
- GEMM
- LP CD Reissues.com
- Blue Storm Music
- GrooveCollector.com
Ron Geesin/Mun Floyd/
David Gilmour
London Cadogan Hall
15th June, 2008
View: front, middle
The second of two performances of Atom Heart Mother at the Chelsea Festival was a magical evening. The show opened with a new brass piece by Geesin, performed by the Royal College Of Music brass, before he launched into spoken-word pieces that the audience eventually warmed to. Next was some excellent high speed piano abuse, and banjo. A marimba piece and chorale finished the first set. Set Two kicked off with a potted history of Atom Heart Mother, with Ron commenting on photos of the band in the studio. He then introduced tributeers Mun Floyd, conductor Mark Forkgen and “fellow tree hugger from Sussex”, David Gilmour. The piece opened, as Geesin explained, with brass chords designed to jangle. Extended cello solos and dual guitar with plenty of slide saw Gilmour centre-stage. Extended past the 30-minute mark, it included the shout of “silence in the studio!” Blistering and long overdue.
Reviewed by Ed Stone
<< Back to Issue 353
