Rare Record Price Guide
- The world's leading authority on prices of rare and collectable records pressed in the UK.
- More Information
R.C. Partners
- Plastic Dreams
- Astral Vinyl
- Rubber Soul
- Fantastic Voyage
- Those Old Records
- Sugarbush Records
- Fine Vinyl
- RARE AND SIGNED
- Kool Kat Jazz Records
- CJ's Music Merchandise
- Rock Music Memorabilia
- Revival Records
- Love Vinyl
- NYLVI.com
- THE SOUND MACHINE
- 991.com
- Beatles Links
- Wienerworld
- VIP Record Fairs
- Austin Record Convention
- Mega Record & CD Fair
- Record Collector's Guild
- RARO
- Arrowfile
- Ace Records
- Clear Spot
- Rockground
- Heritage Auctions - Free Catalog
- Popsike.com
- System Records
- Industrial Silence
- BBC 6 Music
- GEMM
- LP CD Reissues.com
- Blue Storm Music
- GrooveCollector.com
CSS - Donkey
Brazilian quartet get professional, lose the fun
When word crept out that Brazilian electro-filth-pop nutters CSS were planning to go “serious” on their second album, the musical world knit its brow. Surely a serious CSS would be about as much use as Kaiser Chiefs if they ditched the bouncy Yorkshire terrier indie in favour of plodding, cack-handed social commentary. Oh, wait…
Still, given that the album’s called Donkey we’re not talking Interpol here. What we do have is a smoothed-out, less ramshackle record, with more “proper tunes”. At first, in comparison to the DayGlo riot of Cansei De Ser Sexy, it’s a disappointment. After a few listens, though, you find its tunes lodged in your brain. Sadly, after several more, you conclude there’s only three of them: punchy opener Jager Yoga, the Belly/Pixies alt.pop of the jubilant Rage (Rat Is Dead) and the funky disco of Move (which would easily have fitted onto their debut). The rest is, perhaps as a result of their constant touring, a bit “Will this do?” and, in the case of Air Painter, singer Lovefoxxx’s rather nauseating tribute to her fiancé, Klaxons’ Simon Davis, downright annoying. Clearly, they did get tired of being sexy.
Sub Pop/Warner | 5144289832
Reviewed by Emily Mackay
<< Back to Issue 353
